Carnegie Mellon University’s “assistive technologies” project is what would happen if a more socially minded MacGyver got his hands on a 3D printer.
Created by a pioneering research team at CMU’s School of Computer Science, the project’s goal is to build life-changing prosthetics for people in need — and to do it more cheaply than would have been possible before.
Recently, the team used its considerable expertise to create a prosthesis allowing a would-be cello player with only one arm to play his instrument of choice. Thanks to the tool they built, the Pittsburgh-based budding musician was able to play at his grade school recital.
Read Article: https://www.digitaltrends.com/cool-tech/carnegie-mellon-3d-printed-prosthetics/#ixzz4gwcUDuZg
The Tribeca Film Festival, opening this week in New York, is promoting virtual reality (VR) as never before. And next month the Cannes Film Festival has announced it's to show its first big VR attraction. So is 2017 the year virtual reality film-makers finally hit the big time?
Read Article: www.bbc.com/news/entertainment-arts-39623148
We see hundreds or even thousands of images a day, and almost all of them have been digitally manipulated in some way. Some have gotten basic color corrections or simple Instagram filter effects, while others have received full on Photoshop jobs to completely transform the subject. It turns out humans aren’t very good at recognizing when an image has been manipulated, even if the change is fairly substantial. Hany Farid is a professor of computer science at Dartmouth College who specializes in photo forensics, and while he can’t share all of his fancy software tools for detecting editing trickery, he has shared a few tips for authenticating images on your own.
Read Article: http://www.popsci.com/use-photo-forensics-to-spot-faked-images
Someday, moviegoers may be able to watch 3D films from any seat in a theater without having to wear 3D glasses, thanks to a new kind of movie screen.
The new technology, named Cinema 3D, overcomes some of the barriers to implementing glasses-free 3D viewing on a larger scale, but it’s not commercially viable yet, the researchers said when describing their findings.
Read Article: https://www.livescience.com/55628-glasses-free-3d-movie-screens.html
1999 / 2000: Meeting the Challenge
Various forms of electronic cinema have been around for many years. Public demonstrations of modern day digital cinema, however, began in 1999 as an experimental effort privately funded by major motion picture studios. The block diagram below represents the typical trial digital exhibition system in the year 2000.
Read Article: https://cinepedia.com/history/an-early-history-of-digital-cinema/#.WXmKf4jyuHs
Though one could be forgiven for assuming that the animation revolution began in 1937 with the release of Snow White and the Seven Dwarfs, the genre has actually existed almost as long as its live-action counterpart. This timeline charts animation’s humble beginnings all the way through to its pervasive use within the realm of special effects:
1906 J. Stuart Blackton’s Humorous Phases of Funny Faces is released. It is a three-minute short in which Blackton creates animating drawings of faces and people against a plain blackboard.
1908 The first short comprised solely of animated images, Emile Cohl’s Fantasmagorie, receives its premiere in Paris.
1908 Humpty Dumpty Circus marks the first use of stop-motion animation on film.
1914 Earl Hurd invents the process of cel animation, which would revolutionize and dominate the industry for much of the 20th century.
Read Article: https://www.thoughtco.com/timeline-of-animated-film-history-2420991
IF THE FILM is rare, highly flammable, and was made before 1951, there’s a good chance it’ll end up on George Willeman’s desk. Or more specifically, in one of his vaults. As the Nitrate Film Vault Manager at The Library of Congress’ Packard Campus for Audio-Visual Conservation, Willeman presides over more than 160,000 reels of combustible cinematic treasure, from the original camera negatives of 1903’s The Great Train Robbery to the early holdings of big studios like Columbia, Warner Bros, and Universal. And more barrels keep showing up every week.
Read Article: https://www.wired.com/2015/07/film-preservation/
It’s not uncommon for people to question why one might want to interpret a cinematic text – regardless of whether or not such an action was in search of a film’s implicit meanings, ideology or incidental revelations about the culture in which it was produced. These people commonly argue either that such an activity is of very limited value, or misinterpret the process as a whole and see it as the fallacious projection of intentions onto the film’s creator. In other words, they think it’s either a waste of time or a load of crap… or both. As I’m sure most readers would have gathered by now, I strongly disagree.
Read Article: http://curnblog.com/2013/10/02/movies-and-meaning-understanding-cinema-as-cultural-artefact/
Write something about yourself. No need to be fancy, just an overview.